Project Gutenberg's The Love of Ulrich Nebendahl, by Jerome K. Jerome

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Love of Ulrich Nebendahl

Author: Jerome K. Jerome

Posting Date: July 27, 2008 [EBook #870]
Release Date: April 1997

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK THE LOVE OF ULRICH NEBENDAHL ***




Produced by Ron Burkey, and Amy Thomte





THE LOVE OF ULRICH NEBENDAHL

By Jerome K. Jerome

Author of "Paul Kelver," "Three Men in a Boat," etc., etc.

NEW YORK DODD, MEAD & COMPANY 1909


COPYRIGHT, 1904, BY JEROME K. JEROME COPYRIGHT, 1908, BY DODD, MEAD &
COMPANY Published, September, 1908




THE LOVE OF ULRICH NEBENDAHL

Perhaps of all, it troubled most the Herr Pfarrer. Was he not the father
of the village? And as such did it not fall to him to see his children
marry well and suitably? marry in any case. It was the duty of every
worthy citizen to keep alive throughout the ages the sacred hearth fire,
to rear up sturdy lads and honest lassies that would serve God, and
the Fatherland. A true son of Saxon soil was the Herr Pastor
Winckelmann--kindly, simple, sentimental.

"Why, at your age, Ulrich--at your age," repeated the Herr Pastor,
setting down his beer and wiping with the back of his hand his large
uneven lips, "I was the father of a family--two boys and a girl. You
never saw her, Ulrich; so sweet, so good. We called her Maria." The Herr
Pfarrer sighed and hid his broad red face behind the raised cover of his
pewter pot.

"They must be good fun in a house, the little ones," commented Ulrich,
gazing upward with his dreamy eyes at the wreath of smoke ascending from
his long-stemmed pipe. "The little ones, always my heart goes out to
them."

"Take to yourself a wife," urged the Herr Pfarrer. "It is your duty. The
good God has given to you ample means. It is not right that you should
lead this lonely life. Bachelors make old maids; things of no use."

"That is so," Ulrich agreed. "I have often said the same unto myself. It
would be pleasant to feel one was not working merely for oneself."

"Elsa, now," went on the Herr Pfarrer, "she is a good child, pious and
economical. The price of such is above rubies."

Ulrich's face lightened with a pleasant smile. "Aye, Elsa is a good
girl," he answered. "Her little hands--have you ever noticed them, Herr
Pastor--so soft and dimpled."

The Pfarrer pushed aside his empty pot and leaned his elbows on the
table.

"I think--I do not think--she would say no. Her mother, I have reason
to believe--Let me sound them--discreetly." The old pastor's red
face glowed redder, yet with pleasurable anticipation; he was a born
matchmaker.

But Ulrich the wheelwright shuffled in his chair uneasily.

"A little longer," he pleaded. "Let me think it over. A man should not
marry without first being sure he loves. Things might happen. It would
not be fair to the maiden."

The Herr Pfarrer stretched his hand across the table and laid it upon
Ulrich's arm.

"It is Hedwig; twice you walked home with her last week."

"It is a lonesome way for a timid maiden; and there is the stream to
cross," explained the wheelwright.

For a moment the Herr Pastor's face had clouded, but now it cleared
again.

"Well, well, why not? Elsa would have been better in some respects, but
Hedwig--ah, yes, she, too, is a good girl a little wild perhaps--it will
wear off. Have you spoken with her?"

"Not yet."

"But you will?"

Again there fell that troubled look into those dreamy eyes. This time
it was Ulrich who, laying aside his pipe, rested his great arms upon the
wooden table.

"Now, how does a man know when he is in love?" asked Ulrich of the
Pastor who, having been married twice, should surely be experienced upon
the point. "How should he be sure that it is this woman and no other to
whom his heart has gone out?"

A commonplace-looking man was the Herr Pastor, short and fat and bald.
But there had been other days, and these had left to him a voice that
still was young; and the evening twilight screening the seared face,
Ulrich heard but the pastor's voice, which was the voice of a boy.

"She will be dearer to you than yourself. Thinking of her, all else will
be as nothing. For her you would lay down your life."

They sat in silence for a while; for the fat little Herr Pfarrer was
dreaming of the past; and long, lanky Ulrich Nebendahl, the wheelwright,
of the future.

That evening, as chance would have it, Ulrich returning to his
homestead--a rambling mill beside the river, where he dwelt alone with
ancient Anna--met Elsa of the dimpled hands upon the bridge that spans
the murmuring Muhlde, and talked a while with her, and said good-night.

How sweet it had been to watch her ox-like eyes shyly seeking his, to
press her dimpled hand and feel his own great strength. Surely he
loved her better than he did himself. There could be no doubt of it. He
pictured her in trouble, in danger from the savage soldiery that came
and went like evil shadows through these pleasant Saxon valleys, leaving
death and misery behind them: burnt homesteads; wild-eyed women, hiding
their faces from the light. Would he not for her sake give his life?

So it was made clear to him that little Elsa was his love.

Until next morning, when, raising his eyes from the whirling saw, there
stood before him Margot, laughing. Margot, mischief-loving, wayward,
that would ever be to him the baby he had played with, nursed, and
comforted. Margot weary! Had he not a thousand times carried her
sleeping in his arms. Margot in danger! At the mere thought his face
flushed an angry scarlet.

All that afternoon Ulrich communed with himself, tried to understand
himself, and could not. For Elsa and Margot and Hedwig were not the only
ones by a long way. What girl in the village did he not love, if it came
to that: Liesel, who worked so hard and lived so poorly, bullied by her
cross-grained granddam. Susanna, plain and a little crotchety, who had
never had a sweetheart to coax the thin lips into smiles. The little
ones--for so they seemed to long, lanky Ulrich, with their pleasant
ways--Ulrich smiled as he thought of them--how should a man love one
more than another?

The Herr Pfarrer shook his head and sighed.

"That is not love. Gott in Himmel! think what it would lead to? The good
God never would have arranged things so. You love one; she is the only
woman in the world for you."

"But you, yourself, Herr Pastor, you have twice been married," suggested
the puzzled wheelwright.

"But one at a time, Ulrich--one at a time. That is a very different
thing."

Why should it not come to him, alone among men? Surely it was a
beautiful thing, this love; a thing worthy of a man, without which a man
was but a useless devourer of food, cumbering the earth.

So Ulrich pondered, pausing from his work one drowsy summer's afternoon,
listening to the low song of the waters. How well he knew the winding
Muhlde's merry voice. He had worked beside it, played beside it all his
life. Often he would sit and talk to it as to an old friend, reading
answers in its changing tones.

Trudchen, seeing him idle, pushed her cold nose into his hand. Trudchen
just now was feeling clever and important. Was she not the mother of the
five most wonderful puppies in all Saxony? They swarmed about his legs,
pressing him with their little foolish heads. Ulrich stooped and picked
up one in each big hand. But this causing jealousy and heartburning,
laughing, he lay down upon a log. Then the whole five stormed over him,
biting his hair, trampling with their clumsy paws upon his face; till
suddenly they raced off in a body to attack a floating feather. Ulrich
sat up and watched them, the little rogues, the little foolish, helpless
things, that called for so much care. A mother thrush twittered above
his head. Ulrich rose and creeping on tiptoe, peeped into the nest. But
the mother bird, casting one glance towards him, went on with her work.
Whoever was afraid of Ulrich the wheelwright! The tiny murmuring insects
buzzed to and fro about his feet. An old man, passing to his evening
rest, gave him "good-day." A zephyr whispered something to the leaves,
at which they laughed, then passed upon his way. Here and there a shadow
crept out from its hiding-place.

"If only I could marry the whole village!" laughed Ulrich to himself.

But that, of course, is nonsense!

The spring that followed let loose the dogs of war again upon the
blood-stained land, for now all Germany, taught late by common suffering
forgetfulness of local rivalries, was rushing together in a mighty wave
that would sweep French feet for ever from their hold on German soil.
Ulrich, for whom the love of woman seemed not, would at least be the
lover of his country. He, too, would march among those brave stern
hearts that, stealing like a thousand rivulets from every German valley,
were flowing north and west to join the Prussian eagles.

But even love of country seemed denied to Ulrich of the dreamy eyes.
His wheelwright's business had called him to a town far off. He had been
walking all the day. Towards evening, passing the outskirts of a wood,
a feeble cry for help, sounding from the shadows, fell upon his ear.
Ulrich paused, and again from the sombre wood crept that weary cry of
pain. Ulrich ran and came at last to where, among the wild flowers and
the grass, lay prone five human figures. Two of them were of the German
Landwehr, the other three Frenchmen in the hated uniform of Napoleon's
famous scouts. It had been some unimportant "affair of outposts," one
of those common incidents of warfare that are never recorded--never
remembered save here and there by some sad face unnoticed in the crowd.
Four of the men were dead; one, a Frenchman was still alive, though
bleeding copiously from a deep wound in the chest that with a handful of
dank grass he was trying to staunch.

Ulrich raised him in his arms. The man spoke no German, and Ulrich
knew but his mother tongue; but when the man, turning towards the
neighbouring village with a look of terror in his half-glazed eyes,
pleaded with his hands, Ulrich understood, and lifting him gently
carried him further into the wood.

He found a small deserted shelter that had been made by
charcoal-burners, and there on a bed of grass and leaves Ulrich laid
him; and there for a week all but a day Ulrich tended him and nursed him
back to life, coming and going stealthily like a thief in the darkness.
Then Ulrich, who had thought his one desire in life to be to kill all
Frenchmen, put food and drink into the Frenchman's knapsack and guided
him half through the night and took his hand; and so they parted.

Ulrich did not return to Alt Waldnitz, that lies hidden in the forest
beside the murmuring Muhlde. They would think he had gone to the war;
he would let them think so. He was too great a coward to go back to them
and tell them that he no longer wanted to fight; that the sound of the
drum brought to him only the thought of trampled grass where dead men
lay with curses in their eyes.

So, with head bowed down in shame, to and fro about the moaning land,
Ulrich of the dreamy eyes came and went, guiding his solitary footsteps
by the sounds of sorrow, driving away the things of evil where they
crawled among the wounded, making his way swiftly to the side of pain,
heedless of the uniform.

Thus one day he found himself by chance near again to forest-girdled
Waldnitz. He would push his way across the hills, wander through its
quiet ways in the moonlight while the good folks all lay sleeping. His
foot-steps quickened as he drew nearer. Where the trees broke he would
be able to look down upon it, see every roof he knew so well--the
church, the mill, the winding Muhlde--the green, worn grey with dancing
feet, where, when the hateful war was over, would be heard again the
Saxon folk-songs.

Another was there, where the forest halts on the brow of the hill--a
figure kneeling on the ground with his face towards the village. Ulrich
stole closer. It was the Herr Pfarrer, praying volubly but inaudibly. He
scrambled to his feet as Ulrich touched him, and his first astonishment
over, poured forth his tale of woe.

There had been trouble since Ulrich's departure. A French corps of
observation had been camped upon the hill, and twice within the month
had a French soldier been found murdered in the woods. Heavy had been
the penalties exacted from the village, and terrible had been the
Colonel's threats of vengeance. Now, for a third time, a soldier stabbed
in the back had been borne into camp by his raging comrades, and this
very afternoon the Colonel had sworn that if the murderer were not
handed over to him within an hour from dawn, when the camp was to break
up, he would before marching burn the village to the ground. The Herr
Pfarrer was on his way back from the camp where he had been to plead for
mercy, but it had been in vain.

"Such are foul deeds!" said Ulrich.

"The people are mad with hatred of the French," answered the Herr
Pastor. "It may be one, it may be a dozen who have taken vengeance into
their own hands. May God forgive them."

"They will not come forward--not to save the village?"

"Can you expect it of them! There is no hope for us; the village will
burn as a hundred others have burned."

Aye, that was true; Ulrich had seen their blackened ruins; the old
sitting with white faces among the wreckage of their homes, the little
children wailing round their knees, the tiny broods burned in their
nests. He had picked their corpses from beneath the charred trunks of
the dead elms.

The Herr Pfarrer had gone forward on his melancholy mission to prepare
the people for their doom.

Ulrich stood alone, looking down upon Alt Waldnitz bathed in moonlight.
And there came to him the words of the old pastor: "She will be dearer
to you than yourself. For her you would lay down your life." And Ulrich
knew that his love was the village of Alt Waldnitz, where dwelt his
people, the old and wrinkled, the laughing "little ones," where dwelt
the helpless dumb things with their deep pathetic eyes, where the bees
hummed drowsily, and the thousand tiny creatures of the day.

They hanged him high upon a withered elm, with his face towards Alt
Waldnitz, that all the village, old and young, might see; and then to
the beat of drum and scream of fife they marched away; and forest-hidden
Waldnitz gathered up once more its many threads of quiet life and wove
them into homely pattern.

They talked and argued many a time, and some there were who praised and
some who blamed. But the Herr Pfarrer could not understand.

Until years later a dying man unburdened his soul so that the truth
became known.

Then they raised Ulrich's coffin reverently, and the young men carried
it into the village and laid it in the churchyard that it might always
be among them. They reared above him what in their eyes was a grand
monument, and carved upon it:

"Greater love hath no man than this."





End of Project Gutenberg's The Love of Ulrich Nebendahl, by Jerome K. Jerome

*** END OF THIS PROJECT GUTENBERG EBOOK THE LOVE OF ULRICH NEBENDAHL ***

***** This file should be named 870.txt or 870.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/8/7/870/

Produced by Ron Burkey, and Amy Thomte

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.